By thinking of the notes of a chord or melody as numbers 1t 1s easy to find the corresponding notes in any key. C Key of Eb Eb Fb F Key of E E F F Gb G ~A KeyofF (B) Eb E 1%1G Gb l%aJ Ab l¾I ab I Cb Ab l¾Jab 1%1c a F l%)G jAb A jab Key of B Key (chord function) lab jcb jc A# a Key of Universal G# abl¾lC D# E ~o ~E IF E# F# F# IG G# IA le jc jc# E:film IE ruF# ~G# jA jA# je I I jb11 I II jm1 Im jiv lbv I v lbVI jvi lbvi1lvi1j I J THE UNIVERSAL l(EY The UNIVERSALKE_Y_uses a number rather than a letter to name each note of the majorscale(DO = I, RE= 2, MI= 3, etc.). whole - whole Universal half 7 1 Key (scale degrees) Key of C octave C jDb D 1%JE F 1%1G ~A lab Key of Db Db Ebb Eb l¼I F KeyofD D ~F# G !%IA ~a. The table shows the relationship between the major scale (DO RE MI FA SO LA TI DO) and the chromatic scale (which divides the octave into twelve equal half steps) in each of the twelve major keys. T A E L B 0 F s y E K The Table of Keys can be used to find the notes of any chord or scale in any key, and to transpose melodies and chord progressions.
